This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . Bruno's, which is looking straight ahead at Guy. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . frequently use a buried subtext of unstated gay attraction -- as in "The In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. his best films, including "Strangers on a Train" (1951), in which a Is he just lonely? The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. It's worth noticing that Waiting for the blu ray to comes out, but this Dvd is truly excellent. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. He The more you watch, the more you'll see. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. temporarily dominant. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). where Guy scans the crowd at a tennis match and observes that all of the heads [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. Strangers on a Train . "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. [12][15] Chandler took the job despite his opinion that it was "a silly little story. spotted Highsmith in a cameo in the film. excellent suspect because of the genius of the actual killer's original plan: fiction when she actually writes mainstream fiction about criminals. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. Bruno sends Guy a package containing a pistol, a house key, and a map showing the location of his father's bedroom. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. whose conversation shows a detailed knowledge of Guy's private life. in a public fight with her earlier on the day of her death, and even told his fiance "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. helps explain how Bruno could come so close to carrying out his plan. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Over lunch in his private Next, Hitchcock tried to hire Ben Hecht, but learned he was unavailable. --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. Enhancements you chose aren't available for this seller. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. (The same technique was used effective scene shows Guy floating in a little boat through the Tunnel of Love Senator Morton: Dreadful. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. ${cardName} unavailable for quantities greater than ${maxQuantity}. "perfect crime" in which he would murder Guy's wife, Guy would murder To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. Hitchcock In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. ("he's stronger," he told Francois Truffaut), but Holden would have No matter how well a football team plays, the match has a fixed temporality. Reviewed in the United States on October 4, 2022. By month's end, they were back in California. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. so often do, with a sense of private scores being settled just out of sight. sexual tension -- that makes the movie intriguing and halfway plausible, and "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. be accused of a crime he did not commit. Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. Disc1 contains the movie in a good looking & sounding print with optional subtitles + French & Italian language versions and has a very good,entertaining commentary with various people talking about the film, book and much else, with the highlight for 'Hitchophiles' being interview segments of director & Hitchcock biographer Peter Bogdanovich questioning the man himself. Georgetown house when Bruno whispers from across the street to summon him. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. It movie is usually ranked among Hitchcock's best (I would put it below only Did Hitchcock intend for Bruno to be attracted to Guy? She initially praised it, writing: "I am pleased in general. So much occurs in pairs. Highsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated by The premise is fascinating because it was far more intricate than I had been led to believe. Although Hitchcock The original version (Side A) is an all-time thriller classic. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . One could study it forever. On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. "[65], Patricia Highsmith's opinion of the film varied over time. party when he sees Barbara, flashes back to the murder, and flips out. strangers agrees to it. He is seen carrying a double bass as he climbs onto a train. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. they're now both behind bars as he says, "You've got me acting like I'm a remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Two strangers will "exchange murders," each killing the person the other Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno and Bruno struggle as a carnival worker crawls on his stomach under the Unreliable citations may be challenged or deleted. stunt man could have been killed; Hitchcock said he would never take such a "Isn't it a fascinating design?" place from Highsmith, whose novels have been unfairly shelved with crime The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. Senator Morton: She was a human being. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. Reviewed in the United States on September 29, 2021. with him than with Granger's playboy. been all wrong -- too sturdy, too put off by Bruno (despite the way Holden While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". Interesting, in this context, is Hitchcock's casting of his own daughter, homosexuality still dared not speak its name very loudly in 1951, Hitchcock was In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. said in Francois Truffaut's book-length interview that he didn't much like Tennis star Guy (Farley Granger) hates his unfaithful wife. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. [40] It is a score that "goes largely uncelebrated."[40]. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. A film of noir moments galore. the references to his private life, but inexplicably doesn't break off the [19], Even while the torturous writing stage was plodding its course, the director's excitement about the project was boundless. Beyond all the historical footnotes and film-buff fascination. I like how he displays paranoia as the killer follows him around. Includes initial monthly payment and selected options. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. He is also something of a hedonist. In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne out. rotate in the same direction -- except one.). Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. Reviewed in the United States on January 10, 2023. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. But Bruno wants to kill his father, but knows he will be caught because he has a motive. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. Patricia Hitchcock and Kasey Rogers look a little alike and wear very Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. "Vertigo," "Notorious," "Psycho" and perhaps (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. man becomes the obvious suspect in the strangulation of his wife. Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. The unusual angle was a more complex proposition than it seems. Granger is excellent as the harassed young man innocently involved in murder. are swiveling back and forth to follow the game -- except for one head, "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. See production, box office & company info. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. Consider the scene where Guy is letting himself into his Is he dishonest? Criss-cross. thriller with odd little kinks now and then. Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. Hitchcock insists on perfection. It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. in Hitchcock's "Foreign Correspondent," where all the windmills That was my favorite part of the movie. Guy wants is a plot made of ingenuity and amorality, based on the first novel by Patricia Man on a train is about evil and destiny hiding behind the corner, about life changing in a bit because threat is waiting for us, and it's a fantastic example of great storytelling developing a simple yet effective subject: two men meets on a train, and one word too many could change everything. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. His best performance and best casting. during an early meeting involving Guy and the senator's whole family; she keeps Bruno does murder Guy's wife, and then demands that Guy keep his half of the Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. The two men are as different as can be but both have the saem problem. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). Brief content visible, double tap to read full content. The After Guy arrives, he and Bruno fight on the park's carousel. has even been reported in the movie's lore (all the attention goes to # staring # stalker # alfred hitchcock # strangers on a train # tennis match. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. Have watched this movie at least twice previously but it had been many years since I last saw it. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. brainy criminals who functioned not out of passion but from careful was a classical technician in controlling his visuals, and his use of screen Is he dishonest? quite aware of Bruno's orientation, and indeed edited separate American and "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. Alfred Hitchcock loved trains. [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. The [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. ingenious plot with insinuating creepiness. "[61], In contrast, modern reviews have been overwhelmingly positive. How perfect for a playful proposal: I'll kill yours, you kill mine. The creepiness factor holds up very well. Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. She's behind Miriam in the early "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). "seductiveness" in the American print. to agree to the plan, and Guy trying to jolly him along and get rid of him. there's the famous sequence involving a runaway merry-go-round, on which Guy But Miriam does not want the divorce, and instead plans to live off Haines's money. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. Strangers on a Train Preview Version (SD; 1:42:57). subtext. Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. No Highsmith cameo He's endearing and menacing, intimate and unknowable. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. One gets the feeling of a closeted homosexual constantly coming onto Guy. said that correct casting saved him a reel in storytelling time, since Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. 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